GALLERY
This body of work evolves through sensation and immediacy. Each piece represents a distinct psychological moment — a tension explored, a contradiction revealed, a feeling allowed to exist without correction.
BILLIONS
Acrylic
100 x 80 cm
This work explores the invisible architecture behind a goal — the restless ecosystem of ideas that exist before something becomes real.
Each creature represents a possibility: fragile, wild, unfinished, yet charged with potential. They coexist in a shared space of tension and movement, reflecting the nonlinear nature of creation. Some ideas expand. Others dissolve. Some wait quietly for their moment to take form.
Rather than depicting the outcome, Billions focuses on the multiplicity that precedes it — the mental landscape where imagination multiplies faster than certainty.
It is a portrait of abundance: of thought, of risk, of belief. The goal may be singular, but the path toward it is made of countless living fragments.
LOOKING 4 ANSWERS
Acrylic
75 x 85 cm
This work explores a state of internal inquiry — a moment of self-scanning where the body becomes its own compass in the search for direction and identity.
The five figures evoke the five senses, not as anatomical instruments, but as distorted energetic antennas. They do not simply perceive; they transmit, decode, and distort. What appears fragmented on the surface reflects the complexity of how we actually process experience — through sensation layered with memory, charge, and subconscious signal.
The scattered codes and fluid silhouettes suggest that answers are not discovered through external guarantees or linear logic. They emerge through attunement. Through the subtle alignment between what we feel and what we choose to trust.
Distortion here is not dysfunction — it is calibration. A reminder that clarity is not always visual, and certainty is not always rational. Sometimes the path reveals itself only when we stop searching outward and begin decoding the frequency within.
This piece does not depict the finding of an answer, but the shift into listening.
TRANSMUTED
Acylic / Oleo pastel
77 x 85 cm
This work captures the internal rupture that occurs when fear attempts to take control. It is not a quiet emotion, but an invasive force — abrupt, destabilizing, and charged with urgency.
The dense, static-filled background mirrors a nervous system in survival mode. Lines collide and scratch across the surface like racing thoughts, creating a field of tension where clarity feels impossible. The figures emerge and dissolve into the darkness, reflecting the instinct to shrink, to retreat, to become smaller when fear grows louder.
The distorted horse embodies the velocity of fear — how quickly it accelerates through the mind, overtaking reason and eroding trust in one’s own path. It does not move gracefully; it charges.
The red hands at the base of the composition externalize the grip of anxiety. What is often internal and invisible becomes confrontational and visible. By giving fear form, I remove its secrecy.
"This painting is not about surrendering to fear, but about facing it directly. I allow it to distort the image so it no longer has the power to distort my direction." Jessy
COMEFLOR
Acrylic
85 x 90 cm
This work explores the instinct to consume what fascinates us — to absorb beauty, desire, and experience until it becomes part of our own structure.
The distorted face does not merely observe the flower; it integrates it. The boundaries between hunger and admiration dissolve. What attracts us is not meant to remain external — it enters, transforms, and reshapes identity from within.
The open cavity at the center suggests appetite, not only physical but creative and emotional. It speaks to the way we devour moments, people, symbols — how we internalize what we love until it alters our composition.
The repetition of “888” anchors the piece in the idea of continuous expansion: desire feeding creation, creation feeding desire.
To consume is to become.
TOTEM
Acrylic
109 x 97 cm
Totem is a symbolic portrait of the instinctive self — the inner container where emotion, intuition, and raw sensation coexist.
The creature takes the form of a cat, an animal that embodies independence and instinctive presence. Unlike beings that adapt themselves to their surroundings, the cat moves according to an internal rhythm. It follows what it feels rather than what is expected. In this painting, the feline figure becomes a vessel for emotional states, holding layers of color that move through its body like currents of feeling.
The saturated reds, purples, and blues flow through the form as if they were internal energies rather than surface decoration. The body becomes a landscape of sensation — a living container of emotion. Atop its back rests a heart-like form, suggesting both vulnerability and quiet strength, as if the creature carries its emotional core openly.
Set against an empty space, the figure stands exposed and solitary, emphasizing the idea of pure being. Totem represents the instinctive part of ourselves that exists beyond logic or social expectation — the part that simply feels, moves, and exists in alignment with its own nature.
In this sense, the creature is not only an animal but an archetype: a guardian of emotional truth and instinctive freedom.
SOBEK
Acrylic
102x90 cm
This piece, SOBEK, is a raw, high-energy exploration of mythology through a neo-expressionist lens.
The creature is in a state of anatomical flux. With its multiple limbs and elongated, snout-like form, it captures a sense of evolution or mutation.
The background is just as important as the subject. The charcoal-like smudges, graphite scribbles, and words hidden in the "noise" make the wall feel like a diary or a cave painting. Giving the impression of trying to exorcise a specific thought or feeling onto the canvas as quickly as possible before it escapes.
TICKING RED
Acrylic
60 x 50 cm
A horse stands grounded yet alert — a symbol of instinct, force, and decisive movement. The watch becomes more than an object of time; it represents awareness, timing, and the discipline of action. Movement is not random here — it is intentional.
Seated upon a bench marked MERCURY, the figure invokes the archetype of motion guided by forces beyond the visible. Mercury, messenger and planet of speed and communication, suggests alignment with something larger — intuition, destiny, cosmic rhythm.
The work explores the balance between personal willpower and surrender to greater currents. Strength is present, but so is trust. The piece speaks to that moment when action is bold, yet guided — when decisiveness and faith coexist.
Acrylic
80 x 70 cm
This work explores the paradox of inner calm — not as emptiness, but as integration.
Serenity here is not silence or absence, but a state where multiple forces coexist without collapse. The creatures that inhabit the composition represent fragments of the psyche: instinct and contemplation, freedom and containment, depth and impulse. They do not fight for dominance; they breathe within the same space.
What appears as calm from the outside holds movement beneath it — like the ocean surface concealing powerful currents below. Horses suggest untamed vitality, deep-sea forms evoke introspection and submerged emotion, and abstract figures mirror the constant dialogue within consciousness.
In this piece, serenity transforms into a dynamic equilibrium — a delicate balance where chaos is not eliminated, but embraced. It invites the viewer to recognize that true stillness is not the absence of complexity, but the capacity to hold it all without fragmentation.
BULLISH
Acrylic
40 X 50 cm
At its core, Bullish is about belief.
It portrays the act of investing as an emotional gesture — a declaration of confidence in the future. The surrounding symbols of numbers and markets become secondary to the human impulse driving them: hope, ambition, and the desire to multiply what we hold.
Profit is the visible goal. Faith is the invisible engine.
THE UNEXPECTED
Acrylic
60 x 65 cm
The Unexpected explores the tension between control and spontaneity.
A surreal creature stands suspended in motion, holding invisible threads that seem to guide — or restrain — its path. The composition suggests that life rarely unfolds in straight lines; instead, it curves, interrupts, and surprises. What appears controlled may in fact be fragile, and what feels chaotic may be precisely what moves us forward.
The figure is surrounded by fragmented symbols and floating presences — small beings, gestures, and marks that echo thoughts, interruptions, and external forces. The yellow arc crossing the canvas suggests a trajectory, a current of energy, or a moment mid-transition. Yet nothing is fixed. The creature does not resist; it continues.
There is a quiet acceptance embedded in the motion. The work reflects those moments when direction shifts unexpectedly — when plans dissolve and we are asked not to dominate the outcome, but to adapt within it. Control becomes elastic. Certainty becomes temporary.
In embracing the unpredictable, the figure does not lose balance — it discovers a different kind of stability. One that exists not in rigidity, but in movement itself.
THE LONGING
Acrylic
50 x 60 cm
This work explores the distortion that emerges when identity becomes entangled with attachment.
The fragmented face and exaggerated features reflect the internal shift that occurs when we cling to something — a person, a desire, an idea — believing it will define us or make us whole. In the act of holding on, the self begins to warp. Expression becomes tension. Presence becomes dependency.
The bold yellow background suggests intensity and urgency, while the raw black lines reveal the friction between who we are and who we become when we attach our sense of self to something external.
Rather than condemning longing, the piece exposes its paradox: what we grasp in order to feel complete can slowly distort us. Detachment, then, is not loss — it is realignment. A return to one’s own form. A reclaiming of identity without external anchors.
Acrylic
80 x 80 cm
This piece is a visual anchor for the 528 Hz frequency, exploring the quiet alchemy of love as an expansion rather than a sacrifice. It portrays the moment when two distinct identities begin to intertwine without disappearing into each other.
The figure carries a duality within its structure, mirroring the shift from the "divided self" to a shared resonance. Love here is not a fusion through loss, but a Symphony of Individuality. The vertical alignment of the eyes represents the opening of the Third Eye and the activation of the crystalline body—seeing the world from multiple angles and dimensions simultaneously.
Rose Lovers is an ode to the delicate power of merging emotional worlds while maintaining sovereign boundaries. It honors the complexity of two beings who remain themselves while creating an entirely new, high-vibrational rhythm between them.
This work explores the quiet alchemy of love — the moment when two distinct identities begin to intertwine without disappearing.
The figure appears singular, yet it carries duality within its structure, suggesting that intimacy does not erase individuality but reshapes it. Love here is not fusion through loss, but union through expansion. Two perspectives coexist, gradually forming a shared rhythm, a private language that only those within it fully understand.
THE FOOL
Acrylic / Ole Pastel
80 x 77 cm
The Fool explores the sacred instant of surrender before a total frequency transformation. It is the portrait of a leap taken when instinct resonates louder than logic and movement begins without the need for guarantees.
Rather than portraying a naive innocence, the figure embodies the Quantum Multiplicity: a convergence of the many inner selves— the survivor, the lover, the seeker—standing at the edge of a new timeline. The layered silhouettes suggest that the leap is taken by a chorus of impulses, where fear remains present but is no longer the commander of the body.
The accompanying form represents the intuition that speaks through the spine and walks beside us even when reason hesitates. This work freezes the charged micro-second before departure, where trust is no longer a risk, but a deliberate act of self-creation.
Instead of depicting the fall or the landing, The Fool lingers in the charged instant before departure — where trust becomes an act of self-creation.
MIMIIRA
Acrylic
70 x 50 cm
This piece emerges from a quiet moment in nature — an imagined landscape where instinct, tenderness, and presence coexist. The creatures inhabit a dark yet luminous space, suspended between earth and dream.
They are not separate beings, but variations of the same essence — shifting postures of calm, curiosity, rest, and movement.
The background suggests depth rather than chaos, like the layered stillness of open fields at dusk. What appears fragmented is actually harmonious; each form belongs to the same atmosphere.
Mimiira reflects a state of gentle expansion — when the world feels vast, but intimate at the same time
WEIGHTLESS GRAVITY
Acrylic
70 x 55 cm
This work captures the fragile space between longing and hesitation — the moment when the desire to move forward is met by the fear of leaving what is familiar.
Soft tones and open textures suggest possibility and expansion, while darker forms anchor the composition in uncertainty. The distorted birds symbolize both the instinct to rise and the weight of doubt that holds them close to the ground.
Rather than depicting flight itself, the painting lingers in the psychological threshold before it happens — where courage and fear coexist, and where transformation is decided quietly, from within.
DON'T LIE
Acrylic
88 x 95 cm
Don’t Lie confronts the quiet performance people often make with their emotions. It speaks to the moments when we display feelings that are socially acceptable rather than the ones that are truly present inside us.
The painting questions the habit of pretending — smiling when we are not happy, appearing calm when something inside us is unsettled. It invites the viewer to pause and reflect on how often emotion becomes a form of performance, shaped by expectation rather than honesty.
The yellow background functions as a metaphorical sun. Just as sunlight illuminates everything beneath it, the color suggests a force that reveals what lies underneath our performed expressions — the emotions we attempt to hide.
Through its form and gesture, Don’t Lie calls for emotional truth. It suggests that authenticity begins the moment we stop acting and allow ourselves to feel what is actually there.
The work becomes a reminder that real emotion does not need to be staged or perfected — it only needs to be acknowledged.
DIGITAL ART
These works emerge from the need to translate internal tensions into visual form, using color and gesture to give voice to what cannot easily be expressed. Each piece becomes an honest confrontation with our deepest psychological states.
Each piece holds a moment of internal dialogue.
What remains is what you recognize in it.